Photographer Martha Cooper takes a photo of Martin with Jaime and Steve at the opening of his exhibition at Harman Projects on September 09, 2023, in NYC. This has contributed to his success and name recognition in certain circles. You may be familiar with him here because he has been a trusty recurring participant in the Nuart Festival, championed by Stavanger curator and art dealer Martyn Reed for a decade – exposing his work to an international art press and collection of academics, writers, fans, etc. The book is an overview of his career thus far. This is an insightful look into Martin Whatson’s artistic journey, showcasing how he has navigated the realms of street and fine art with his authenticity – an informative resource for those interested in the intersections of modern art, street art, and the dynamic process of artistic evolution. with a wide audience, transcending traditional boundaries of street and fine art. These joint projects, featuring a diverse range of artists, illustrate Whatson’s adaptability and his commitment to the communal spirit of street art. The book’s concluding section focuses on Whatson’s collaborations, highlighting his interest and ability to merge his artistic vision with that of others. The book showcases his venture into sculpture, which allows readers to see how his themes translate into three-dimensional forms, often reflecting his familiar motifs.Ĭollaborations and Diverse Artistic Dialogues The featured studio works exemplify this shift, demonstrating his signature combination of urban elements with a more poetic narrative. His artistic expression, once more heavily political, has evolved into a subtler form, still retaining some of its original edge. You see highlights of his exploration of urban landscapes and decay, an ongoing theme in his work and part of the lingua franca of street artists worldwide. Readers can observe Whatson’s transition from outdoor walls to studio canvases through the book. During this time, Whatson started to refine his distinct blend of political themes and aesthetic appeal. These early works reveal a developing style, marked by influences from notable artists like DOLK and Banksy. The initial sections of the book explore Whatson’s early period, where his experimentation with graffiti styles and stencil art began to shape his artistic voice. His education at the Westerdals School of Communication in Oslo laid the groundwork for a unique blend of graphic design and urban art, defining his approach to art-making. This book, written by art dealer and curator Eva Marie Bentsen, offers a comprehensive look at Whatson’s career, from his early fascination with graffiti to his current status as a celebrated fine artist. With yesterday’s official announcement that Norwegian artist Martin Whatson and Belgian artist Jaune will be participating this April at NUART / Aberdeen the full line up of artists has been announced. His journey from street art to international acclaim is a narrative of artistic evolution and the versatility of visual language. Martin Whatson, a Norwegian stencil artist born in 1984, has carved out a distinctive niche in the contemporary and street art worlds.
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